One Liner Review:

A movie that pretty much knows no bounds, as it uses a new type of animation and features a storyline involving different versions of Spiderman from all different dimensions.

Brief Review:

Spiderman: Into the Spiderverse pretty much does the impossible. It finds a new angle to tell the story of the same superhero we’ve seen done again and again. And it does it by surrounding him with all new characters, giving us an elaborate story that brings in different Spidermen from all different dimensions, and even inventing a new kind of animation. This thing is creative and fun in all the right ways.


Spider-man: Into the Spiderverse is one out there animated movie.  And that’s a very good thing. Here’s a movie that realizes we’ve had a ton of incarnations of Spider-Man movies at this point, (just like Batman,) and like The Lego Batman movie, this one has fun spoofing all of it. But that movie just made fun of relationships (Batman and Robin, Batman and the Joker.) This one goes so much further. Into Thr Spiderverse actually features a new kind of animation that was invented just for this movie. And it also features all different Spidermrn from all different universes and dimensions. To call this movie ambitious is an understatement.


We’re at the point right now in movies where studios are finally figuring out how to get each of the superheroes right. What that means is there’s a lot of course correction where the studio tried something in the past and it didn’t work, and they have learned from their mistakes. That’s why over in the Marvel movie would (the MCU,) we have the best Spider-man we’ve ever seen on film (played by Tom Holland.) And over in the Sony universe, we’ve got a Venom movie that might not be great, but it blows the previous attempt at Venom (Topher Grace in Spider-man 3,) away. And Into the Spiderverse knows that to even compete, it’s got to be radically different than all those other Spider-man films or representations (including the storyline to the new Spider-man game for PS4.)


To accomplish this goal, the movie goes all out, getting creative and original in as many ways as it can. For starters, for the first time in a Spider-man movie, the protagonist is not Peter Parker. It’s Miles Morales, a Black / Latino kid from Brooklyn. There’s a comic book version of series of the Morales Spider-man, but never before have we seen this character on film. And he’s a lot of fun. For one thing, doing this let’s us see an origin story that’s not the same old and tired origin story we always get (the Uncle Ben, “with great power comes great responsibilty story.) For another, it gives us a whole new set of characters as the family members surrounding our protagonist. We’re talking about a policeman father, a nurse mother, and an Uncle who has his own thing going on, (if you know the comics, than you know who the uncle is, but no spoilers will be given here today.)


Regarding the new style of animation, this is a technique that makes the images look a little bit like comic books with its little dotted backgrounds and sketching. There’s also a movement of the characters that feels like nothing we’ve seen before as they more or less glide across the screen.  This movement is especially noticeable in the early scenes with Morales in high school. After that, we kind of get used to it, and it becomes less apparent. It’s also the kind of thing where I imagine the bigger screen you see it on, the more it stands out. So it probably won’t be as clear once this movie plays on TV sets at home (kind of like how the IMAX scenes in the Dark Knight movies don’t feel like much while watching st home, but we’re prwtty cool to watch in theaters, in IMAX.


For the story, we’ve got the tale of a machine that crosses dimensions and spans time. It’s the resadik why we are able to get so many different versions of Spider-man  all working tigether in one film. The machine has been financed by The Kingpin, who is trying to bring his wife, Vanessa, back from the dead. And one thing cool about this is that for anyone who watches the Daredevil Netflix show (the best and most popular of the Marvel Betflux shows,) they are very familiar with both the Kingpin and Vanessa. Kingpin has been the main villain for all three seasons. And this Spider-man movie knows it. It is very aware of pop culture, which is why, for example, one of the Spider-Man suits in the movie is from right out of that PS4 game. And another one is from the most recent Marvel movies.


The story of this machine and the dimensions that bring about a bunch of Spidermen first comes about in a world where there already is one Spider-Man. He’s voiced by Chris Pine, and Morales runs into him while exploring an underground tunnel connected to the sewer system. This Spider-Man is Peter Parker, and he actually narrates the start of the movie telling us how the world has become Spider-man crazy with his name and face slapped on everything from cereal boxes to popsicles. He’s even got a Christmas album of Spider-Man singing the hits.  And when Morales comes across him, he actually witnesses Spider-Man die in battle against a giant beast (who they are calling Norman, the goblin, although he looks nothing like Norman Osborne or The Green Goblin.)


Speaking of that, the villains are pretty much the only weak part about this movie. Not that they are terrible, but when you think about, there are only two superheroes out there with incredible rogues galleries (villains.) Spider-Man and Batman. With The Lego Batman Movie, they really did give us every Batman villain, thrown into the mix of a story. Here, we only get a small handful of Spider-man villains. There’s the Kingpin and The Scorpion (although this creature who they are calling the Scorpion looks more like a combination of The Rock in The Scorpion King and Deadpool in X-Men Origins Wolverine.) There’s a female Doctor Octopus character, named Liv Octavius. And that’s about it. Where is the Sinister Six? Where are the villains that this movie clearly had access to, but decided not to use at all? Oh yeah, there’s Tombstone, a secondary Spider-Man villain, thrown into the background for a couple of scenes.


Perhaps it’s that this movie really does want to be so different that it tries to not go over any of the same material we’ve seen before, (other than Kingpin.) That’s why we get The Prowler as a major character, a villain / vigilante who has not been featured in any Spider-Man movies yet, but who is closely related to the Miles Morales storyline. And what this movie lacks in villains, it certainly makes up for in heroes. Not other Marvel heroes, Avengers style, or anything, but instead, different versions of Spider-Man.  After Peter Parker dies, we meet another Peter Parker, (this one voiced by Jake Johnson, from TVs The New Girl show.) And then we meet a ton of other incarnations as well.


There’s Spider-Man Noir, a tough-talking detective version from the forties, (voiced by Nicholas Cage, who delivers his lines perfectly.) There’s also Spider-Gwen, a Gwen Stacey version of the hero, and Spider-Ham, a pig version, (something resembling Porky Pig, dressed in a Spider-Man outfit.) There’s even an anime version, which means a young, Japanese girl with a giant robot that looks like a spider and is designed with the same colors as Spider-Man. And all of these characters are brought into this universe or dimension in the same way, meaning through a portal that opens up at the exact same time for each of them. We get to meet each of these characters in a Groundhog Day-like situation, where the character narrates over a montage, that is basically the same montage for each of them, (it includes the exact same words as well, such as “alright… let’s do this one last time… so I was bit by a radioactive spider…”)



Spider-Man: Into The Spiderverse is a movie that takes the same character we are incredibly familiar with and gives us a totally fresh take on his story. It’s so different that it’s not even the same person under the mask, and that’s very much the point. The idea here is that anyone can be Spider-Man, because Spider-Man isn’t a person, it’s an idea. We’ve heard that kind of talk before, (it reminds me of something out of V For Vendetta,) but it never makes as much sense as when you see it up close, with multiple Spider-Men all occupying the same space and time. And aside from giving us this creative approach, the movie does it with brilliant visuals, including eye-popping colors and some very exciting action. All of it works. The villains could have been better,  but other than that, this movie is pretty flawless.